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La Mer A Deception? A Reception History Analysis

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Ένωση εκπαιδευτικών μουσικής Πρωτοβάθμιας Εκπαίδευσης   

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Επιστημονική Έκδοση για τη Μουσική, την Εκπαίδευση και τον Πολιτισμό   

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La Mer A Deception? A Reception History Analysis (EN)
Altaras, Rina; Centre for Advanced Studies in Music, Istanbul Technical University, Istanbul, Turkey
Debussy composed La Mer, in the summer of 1905. It was performed for the first time the same year in Paris. The reception of the public and the critics was biased. The critique, written by Amédée Boutarel, in Le Ménestrel, France’s longest running music journal (1833-1940), dismisses La Mer very openly. La Mer wasn’t reproduced in Paris till 1908 and then was a success. The most intriguing part of this success was the review of Amédée Boutarel again in Le Ménestrel, this time still with some reservation but clearly more appreciative and treating the performance as it were a premier. This paper presents possible reasons for the shift in Amédée Boutarel’s perception and thus the standpoint of the magazine from a Bourdieuian point of view. According to Bourdieu not only the artists (writers, composers) and performers, but also the agents (publishers, critics, journals) contribute directly to the production of the field of art, which has its own dynamics. For that purpose the magazine’s marketing & sales strategy is analysed by taking its content, visual design, and writers, specifically Boutarel, into account. (EN)
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article (EN)
Debussy, La Mer, field of cultural production, Bourdieu, reception history (EN)
Ένωση εκπαιδευτικών μουσικής Πρωτοβάθμιας Εκπαίδευσης
Επιστημονική Έκδοση για τη Μουσική, την Εκπαίδευση και τον Πολιτισμό
Articles
Επιστημονική Έκδοση για τη Μουσική, την Εκπαίδευση και τον Πολιτισμό
Αγγλική γλώσσα
2015-02-06
http://hejmec.eu/journal/index.php/HeJMEC/article/view/53
Greek Association of Primary Music Education Teachers (EN)
1792-2518
Επιστημονική Έκδοση για τη Μουσική, την Εκπαίδευση και τον Πολιτισμό; Vol 5, No 1 (EL)
Hellenic Journal of Music, Education and Culture; Vol 5, No 1 (EN)
Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication, with the work [SPECIFY PERIOD OF TIME] after publication simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access). (EN)



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