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Sonic and Auditory Cognition in the Byzantine Chant: Historical and Ontological Perceptions of an Intercivilizational “Language of Worship”

Το τεκμήριο παρέχεται από τον φορέα :
Ένωση εκπαιδευτικών μουσικής Πρωτοβάθμιας Εκπαίδευσης   

Αποθετήριο :
Επιστημονική Έκδοση για τη Μουσική, την Εκπαίδευση και τον Πολιτισμό   

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Sonic and Auditory Cognition in the Byzantine Chant: Historical and Ontological Perceptions of an Intercivilizational “Language of Worship” (EN)
Tyler, Aaron; St. Mary's University, San Antonio, Texas, USA
The sonic and auditory cognitions associated with the sounds and language of the Byzantine Chant are a consequence of the Eastern Orthodox Church’s world construction (externalization and objectivation) created through a complex filter of time, place, and identity.  Considering varied influences from the European continent, Russia, and the Near East, this paper will explore how geography, culture, cosmogony, and empire conditioned the sonic and auditory developments and perceptions of this sacred chant. Using a cross-disciplinary platform of geo-historical analysis, musical theory, and linguistic philosophy, this paper will consider the following questions: Why does the Eastern Church perceive the monophonic character of this eight-tone (octoechos) chant as the most authentic modus operandi for expressing the language or liturgy of worship?  Where does it come from?  How was it created? What are its metaphysical, historical, and linguistic roots? How is one called to listen to its sounds?  In what ways are the melodic formula, rhythms, and tonality of this chant inextricably linked to specific liturgical texts, human geography, and metaphysical context?The Byzantine Chant illustrates well the connections of sound, tone, and language to Eastern Orthodoxy's inter-civilizational conceptualization and cognition of worship and identity. (EN)
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article (EN)
multicultural music, language and liturgy of worship, Orthodox Church history, theology and music, sonic cognition (EN)
Ένωση εκπαιδευτικών μουσικής Πρωτοβάθμιας Εκπαίδευσης
Επιστημονική Έκδοση για τη Μουσική, την Εκπαίδευση και τον Πολιτισμό
Articles
Επιστημονική Έκδοση για τη Μουσική, την Εκπαίδευση και τον Πολιτισμό
Αγγλική γλώσσα
2015-11-07
http://hejmec.eu/journal/index.php/HeJMEC/article/view/61
Greek Association of Primary Music Education Teachers (EN)
1792-2518
Επιστημονική Έκδοση για τη Μουσική, την Εκπαίδευση και τον Πολιτισμό; Vol 6, No 1 (EL)
Hellenic Journal of Music, Education and Culture; Vol 6, No 1 (EN)
Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication, with the work [SPECIFY PERIOD OF TIME] after publication simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access). (EN)



*Η εύρυθμη και αδιάλειπτη λειτουργία των διαδικτυακών διευθύνσεων των συλλογών (ψηφιακό αρχείο, καρτέλα τεκμηρίου στο αποθετήριο) είναι αποκλειστική ευθύνη των αντίστοιχων Φορέων περιεχομένου.