1. Αρχική σελίδα
  2. Αναζήτηση

Out of Bounds: Confronting War Crimes and the Breakdown of Justice with Contemporary Art

Το τεκμήριο παρέχεται από τον φορέα :
National and Kapodistrian University of Athens - Department of English Language and Literature   

Αποθετήριο :
Synthesis  | ΕΚΤ eJournals   

δείτε την πρωτότυπη σελίδα τεκμηρίου
στον ιστότοπο του αποθετηρίου του φορέα για περισσότερες πληροφορίες και για να δείτε όλα τα ψηφιακά αρχεία του τεκμηρίου*



Out of Bounds: Confronting War Crimes and the Breakdown of Justice with Contemporary Art (EN)
Bernard, Catherine
Recent art has turned to judiciary and extra-judiciary practices, specifically in the context of international conflicts, in order to assert art’s political accountability and relevance to our capacity to historicise the present. The war in Iraq inspired works that directly address issues of representation and remediation, such as Marc Quinn’s Mirage (2008), in which the aesthetic experience opens onto an ambiguous experience of the breakdown of justice. Other works have chosen to turn carceral space itself into the site of a collective remembering that harnesses affect to a critical reflection on the administration of justice, on assent and dissent. This article will turn to key works by Marc Quinn and Trevor Paglen that confront extra-judiciary malpractices, but also to recent collective art projects involving an interdisciplinary take on the experience of imprisonment, such as Inside. Artists and Writers in Reading Prison (2016), in which artists of all backgrounds responded to Oscar Wilde’s De Profundis on the very premises of Wilde’s incarceration, as well as the work of 2019 Turner Prize co-recipient: Jordanian sound artist Lawrence Abu Hamdan whose recent works rely on testimonies from Syrian detainees and probe the political pragmatics of aural art. All these works have turned to the document—literary, visual, aural—to reflect on the process of experiential mediation. How does the experience of imprisonment, or extra-judiciary malpractices, come to the spectator? How are they read, heard, interpreted, remediated? The article ponders the remediation and displacement of aesthetic experience itself and the “response-ability”—following Donna Haraway’s coinage—of such a repoliticised embodied experience. It will assess the way by which such interdisciplinary works rethink the poetics of the documentary for an embodied intellection of justice—and injustice—in the present. (EN)
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article (EN)
Contemporary art (EN)
Marc Quinn (EN)
poetics (EN)
Lawrence Abu Hamdan (EN)
art and war (EN)
justice (EN)
just art (EN)
documentary (EN)
Trevor Paglen (EN)
ethics of art (EN)
National and Kapodistrian University of Athens - Department of English Language and Literature
Synthesis
Articles
Synthesis
Αγγλική γλώσσα
2021-07-19
https://ejournals.epublishing.ekt.gr/index.php/synthesis/article/view/27561
National and Kapodistrian University of Athens (EN)
1791-5155
Synthesis: an Anglophone Journal of Comparative Literary Studies; No. 13 (2020): Just art. Documentary Poetics and Justice; 52-69 (EN)
Copyright (c) 2021 Catherine Bernard (EN)
https://creativecommons.org/licenses/by/4.0



*Η εύρυθμη και αδιάλειπτη λειτουργία των διαδικτυακών διευθύνσεων των συλλογών (ψηφιακό αρχείο, καρτέλα τεκμηρίου στο αποθετήριο) είναι αποκλειστική ευθύνη των αντίστοιχων Φορέων περιεχομένου.